#i don't to exist because it's painful to be here

[thatonebirdwrites]

Gosh, I can relate to this.

I think about what fandom is a lot since I sort of lurk in a lot of spaces (until I feel brave enough to speak or share).

First off, the point of this addition isn't to guilt trip anyone, but to get people thinking about what community means. What inclusion means, and what engagement means. And how those are interconnected.

One of the crucial pillars of fandom, and the reason fandom exists at all is because of community.

Writing fanfiction and sharing it for free is about building community with one another. It's people who loved a show/movie/book enough that they wanted to play in the world longer, so they play together in that world with other people who love it too. That's what fanworks are -- it's people playing together in community because of a love toward a specific series/media.

But community requires communication. It requires building connections. It requries engaging one another.

I write long fics. In fact, adding up the word counts of my fics in AO3? It's well over a million words in two different fandoms. These are free novels written because the community had been welcoming at first and it had encouraged me to keep going.

But I made a mistake. Two of these projects (in two separate fandoms) I made into a series. Because of how each part in a series means the sequel gets less engagement, it feels like I'm watching a community dissolve, and that's painful. I don't get paid for this. It's all free, and part of the reason I went to fanfic writing was because of community.

Lack of engagement gives, often unintentionally, the author the message that they aren't really part of the fandom's community. At least not anymore (if they ever were).

Some say, "Well, don't write for your readers!"

Well, no, I don't write for my readers, but the act of sharing for free is me giving to the community and building up community.

But part of building up community requires people to give back in turn. Oherwise the community will fracture and fall apart.

The reason fandom exists at all is because of community.

It's the community part of fandom that has helped me to heal enough to write again, but when that community dries up or no longer engages with me, then what am I to do? I've lost that community, and if I continue to engage with it and get very little (if not nothing) in return, then at that point, I'm throwing my energy into a void in hopes for a scrap of community.

It ceases to fulfill the need. It leaves me feeling lost and alone. And finding out later how much people loved a fic I wrote but that fic received very little engagement? It tells me that I'm not loved as a person within the community.

I have watched and listen to people talk about how much it hurts when the work they put in so much effort in for the community gets little to no engagement. It often pushes them to engage less, to stop writing, and watching that happen? It hurts to see.

Community requires communication. Do not treat an fanfic author like a kiosk, where you grab the story and run. Treat them like they are part of your community. By doing so, by including them, you bolster their sense of belonging and are more likely to get stories in return.

Community needs to be reciprocal. And I fear fandoms are losing that understanding of what community is. They expect and sometimes demand more, but what are they doing to support that fanfic writer or artist? Are they engaging them and uplifting them within the community? Or are they not engaging them?

If you read an author's work and love it, include them in that community by sharing your thoughts in a comment. You don't necessarily have to comment on every chapter of a longer work (Though it is so lovely some do), but to at least offer up comments here and there to be inclusive of that author.

Engagement bolsters the community bond.

The lack of engagement breaks the community bond.

And that's a sort of grief. Us writers came for community and to share our love of the fandom with others. When we fail to be included in that community, it will hurt. It's a type of rejection that people may not even realize they are doing.

Community requires communication, and for fandoms, part of that communication is comments, kudos, (and gosh, even tumblr asks).

I hope that helps give people another perspective to consider.

Think it over. Think about what you'd like to give back to the creators in your community.

And please understand, if you can only give back one or so comments? That's okay and valid, and that too builds up community.

Even little actions matter.

Never think your small action doesn't matter or that your comment or kudos doesn't matter. It does. It helps build community too.

Thanks for reading. Be safe.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[harrysfolklore]

i’ve always loved the piastri sis lore because the sibling dynamic is so healthy but just to switch it up a little bit in the tiny verstappen!sis universe i can imagine her skipping out on the WDC celebrations with max and be with charles instead and max is a little mad at her at qatar until kelly knocks sense into him 🥰

verstappen!sister was one of the first f1 fics i ever posted 🥺🥺 its kinda heartwarming that you guys still remember it and want to read more about them! it was nice to take a dip into that little world agai, i hope you like this!

READ VERSTAPPEN!YN HERE

The neon lights of Las Vegas blurred through as you rushed through the paddock, your heart torn between two directions. Behind you, the thunderous celebration at Red Bull's garage continued – your brother Max had just sealed his fourth world championship. Any other day, you'd be right there, spraying champagne and screaming until your voice gave out.

But right now, all you could think about was Charles.

You found him in the Ferrari cooldown room, still in his race suit, head in his hands. He looked up when you entered, those green eyes stormy with frustration.

"Mon coeur," he whispered, and despite his evident pain, his lips curved into a small smile at the sight of you. "You're here."

You crossed the room quickly, wrapping your arms around him. He buried his face in your neck, breathing deeply. "Of course I'm here. Always."

"I had it," he mumbled against your skin. "I had the pace, the position... everything. Then they called me in at the worst possible moment—" His voice cracked slightly.

You ran your fingers through his hair soothingly. "I know, baby. I watched the whole thing."

Charles pulled back slightly, cupping your face with both hands. "You should be celebrating with Max, though. It's his championship. I don't want to take you away from that."

"You're not taking me anywhere," you said firmly, pressing your forehead to his. "I choose to be here."

He kissed you softly, gratefully. "Je t'aime. What did I do to deserve you?"

"Existed," you smiled against his lips. "Come on, let's get you out of here."

As you were leaving the cooldown room, hand in hand with Charles, you nearly collided with Max in the corridor. Your brother was still in his race suit, championship cap askew, smelling of champagne and victory.

"YN?" His voice was smaller than usual. "Where were you? Everyone was asking... we were all celebrating and you just disappeared."

Guilt twisted in your stomach. "Max, I'm so sorry, I—"

"She was with me," Charles said quietly, squeezing your hand.

Max's face fell slightly, though he tried to hide it. "Oh." He looked between you both, jaw working like he was trying to find the right words. "I thought... it's the championship, YN. Our fourth championship."

"I know," you said, stepping forward to hug him tightly. "And I'm so, so proud of you. You were incredible out there. But Charles needed me."

Max returned the hug, but you could feel the tension in his shoulders. When he pulled back, his expression was complicated – hurt mixed with resignation.

"Sure, whatever. Stay with your boyfriend." He shook his head, jaw clenched. "It's fine. Not like it's my fourth world championship or anything."

The sarcasm in his voice cut deep. Before you could respond, he turned on his heel and walked away, leaving you and Charles standing in the corridor.

The next morning, you found Max in the hotel gym, pounding away at a treadmill despite probably being hungover from the celebrations. You knew your brother well enough to recognize when he was working out his frustrations physically.

"Max," you called out softly.

He didn't look at you, just kept running. "Shouldn't you be with Charles?"

"Can we talk? Please?"

He jabbed at the treadmill controls, slowing to a stop. When he finally turned to face you, his expression was guarded. "About what? About how you ditched your own brother's championship celebration to comfort your boyfriend? Because he finished P4?" He grabbed his towel, wiping his face roughly. "Real nice, sister."

"That's not fair and you know it."

"Kelly already gave me the whole speech last night, you know," he said, "Something about 'understanding love' and 'being supportive' and how she'd do the same for me."

"And?"

"And I told her she's supposed to be on my side," he said, but there was less heat in his voice than before. "She just laughed at me."

You sat down on a nearby bench, and after a moment, he joined you. "I'm still mad," he admitted. "And it's still weird as hell that my sister is dating Charles bloody Leclerc of all people."

"Could be worse," you tried. "Could've been Lewis."

"Don't even joke about that," he groaned, but you caught the tiny smile he tried to hide. His face turned serious again. "Kelly made some good points though. About how she'd choose to be with me if I was struggling after a race, even if it meant missing something important. Still doesn't mean I like it."

"I really am sorry about disappearing like that."

"I wanted my sister there," Max's voice cracked slightly. "You've been there for every important moment in my career. Every single one. Until yesterday. It's like ever since you started dating him, I'm losing my little sister bit by bit."

"You're not losing me, Max. You're my brother, nothing will ever change that. But Charles...I love him."

Max was quiet for a long moment. "You really love him that much? It's that serious?"

"Yeah," you whispered. "It is."

He sighed deeply, running a hand through his hair. "I still don't like it. And I'm still mad about yesterday." He paused, then added grudgingly, "But I guess I need to get used to sharing you. Just... don't disappear on me like that again, okay? I had to listen to Helmut asking if you were sick or something. Do you know how awkward it was explaining that my sister was too busy consoling a Ferrari driver to celebrate with us?"

"Did you actually tell him that?"

"No, I told him you had a headache. You're welcome, by the way." He paused. "But seriously, YN. I get that you love him or whatever—" he made a face at the words, "—but you're still my sister."

"And you're still my annoying big brother," you leaned against his shoulder. "So... fourth championship, huh? Getting a bit boring now, isn't it?"

"Never," he grinned, then added more seriously, "Would've been better with you there though."

"I'll make it up to you. Plus, there's still family dinner tonight."

"Yeah, about that..." Max's expression turned mischievous. "I might have told Mom to make that really spicy Indonesian dish Charles couldn't handle last time."

"Max!"

"What? If he's going to be family, he needs to build up his tolerance," he said innocently. "Besides, it's payback for making me miss my sister at my championship celebration."

"You're impossible."

"Yeah, but I'm a four-time world champion impossible brother," he smirked, pulling you into a headlock like when you were kids. "And don't you forget it."

[winisayswhat]

Fairy Whispers

🧚‍♂️ 🧚‍♀️ soft and comforting hug from fairies 🧚‍♀️ 🧚‍♂️

Pile 1 Pile 2

PILE 1

You have so much inner power and strength within you , enough to shake up the world , but you aren't letting yourself use the power , there is a sense of denial in you , it's like you're quiet ignorant towards your own powers , there might be people under estimating you because you are refusing to utilize the power within you , be more confident , put yourself out it the world love , you are so magical and powerful , you deserve the world ,the universe , the heaven , and much more . You have so many people secretly admiring you , their heart fills up with joy when they see you or are with you , they feel seen and heard, so stop feeling lonely or like a chooped out piece, you add depth and love to people's life ,knowingly and unknowingly . You don't need anyone , people need you , you are the embodiment of supreme powers , you are not just another existing being in the jungle , the jungle belongs to you , and you're the king/queen 👑 .

You are very humble about your talent and knowledge , stop it. So many people are feeding upon your lack of showcase of talent , go out in the world and project your talents, we fairies will season it with our magical glitter ! You're so smart that we're in awe ! You're so humble my child , I wish I could give you a hug , I hope people saw the infinity magic that you embody , but hey , superheroes and fairies are just simple people with extraordinary powers and not everybody is meant to see it 😌.

Go out be adventurous , you have zest for life, go out and own it, you have such great leadership qualities that people are jealous ! You were born with it . You might sometimes feel that you get the toughest battles , but guess what , God gives his best children the toughest battles ,because God knows you're IT CHILD of the curb.

There will be turbulences and unpleasant situations in future , but don't worry me and the lord have your back ! Don't cry, dont shy , just be happy and spread joy ! And if anything does go wrong, my glitter will fix it all ♡

Follow and reblog

DM for paid readings :)

************

PILE 2

You're surrounded by loving, supportive energy, and the fairies are here to guide you! 🧚‍♀️💖 You've recently experienced heartbreak or emotional pain, but don't worry, you're stronger than you think .The fairies advise you to take a step back, assess your situation, and be patient with yourself and others . You're nearing a milestone or accomplishment, and it's essential to trust in your abilities and wisdom .It's the test of times and I bet you shall pass it . The universe is testing how strong you're, so that it could evaluate you and reward you !!

You might often feel stagnant in life and confused, too many options ? Too many thoughts ? No progress? Don't worry , this shall last for a while , it's building you for the future life . You are an empress , the more you trust and nurture yourself ,the more you'll be universe's favourite child ! Celebrate yourself daily , because you're special & shall always be💗

Stay positive and focused on your goals . You may receive an emotional or romantic invitation, or experience a strong intuitive connection with someone .Be mindful of your thoughts and emotions, and practice mental discipline to overcome anxiety and worry . Trust your inner guidance and wisdom, and take time for introspection and self-reflection . You tend to avoid it or lack discipline in your spiritual routine . Whatever you do , do it with 100% dedication .

You might feel like you're lagging compared to others and there might be lots of self doubt and uncertainty, but it only gets better and better with time !

Focus on developing your skills, paying attention to detail, and taking pride in your work .You may receive new opportunities for financial growth and abundance ,but you need to be opem for it ,stop doubting yourself and your rewards . You're on the verge of a new beginning, and the fairies encourage you to approach this journey with trust, and open heart .

Trust your intuition and inner wisdom, and listen to your inner voice . Cultivate mental clarity and focus to navigate your spiritual journey . You're a powerful, magical being, and the fairies are honored to guide you on your path!

Follow and reblog

DM for paid readings:)

[vezpr]

corporal: ch 2 - expectations

SUKUNAxF!READER ☽☾ HEIAN ERA AU ☽☾ ONGOING SERIES ☽☾ AO3

☽☾ 𝐜𝐡𝐚𝐩𝐭𝐞𝐫𝐬: CH1: PUNISHMENT ▪︎ CH2: EXPECTATIONS

☽☾ 𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: You are such a menace that your father decides to offer your eternal servitude as a gift to the King of Curses.

Sukuna has not accepted such a tribute in years, more often opting to eat the young girls rather than put them to work, which is perfectly acceptable as far as your asshole dad is concerned.

Will the demon make an exception for you?

☽☾ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬/𝐭𝐚𝐠𝐬: 18+MINORS DNI, blood and gore, violence, abuse, true form sukuna, eventual smut (still not yet), references to cannibalism, angst, I suck at tags

☽☾ 𝐭𝐚𝐠 𝐥𝐢𝐬𝐭: @sodapop182 ; @moonchhu

☽☾ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: CH: 3.5k TOTAL: 7.7k

If you would like to be added to the taglist, please comment something to that effect. But please put an age in your bio so i don't have to block you. lmk if I'm doing this right, I'm an absolute virgin and open to suggestions. Thanks for reading. 🖤

Tearing through the woods outside of the shrine, you don't think about your sister, this time. You don't think of your father or his men, your mother, nothing. No memories, pleasant or unpleasant, swim up through the ink of night as the trees claw at your clothes and skin. Your mind is eclipsed with a fear as hot and red as the fire in your lungs.

You have not known fear like this for a long time, perhaps ever. All the running that you did from your father and his men was done more out of spite than fear. You had certain expectations of them. You were familiar with their cruelty and the limitations placed on it by society, or by your mother, perhaps. You father was not a kind man, by any means, but his eyes softened somewhat when they looked at her. The only power that you had was that of being able to put them through their paces. Here, you did not even have that. The comfort of expectations does not exist for the monster at your back, no more than the limitations of ordinary men. 

So, you run, spurred by terror long after your rapidly depleting stamina should have forced you to stop. It feels like hours have passed when you finally come to a halt, hands on your knees, panting, muscles burning. Hyperaware of every sound, every sensation, even the trickle of sweat down the line of your back is enough to raise your hackles, but there is nothing but the ragged sound of your own breathing in the stillness.

As you try to slow your respirations, you ask yourself what it is you're so afraid of. Pain? You are overly familiar with pain. Your heart gradually slows as you come to the conclusion that Sukuna can only hurt you or kill you, just like any other man. Pain you can endure. And death? Well, if you are dead, then you won't be bothered, will you? You'll just be dead. What would wound you more is humiliation. Your mouth presses into a grim line as you ponder it.

Did the bastard confiscate your things and let you go, trusting that you would meet your own end in the forest without his help? Not the worst plan, you decide, as it occurs to you, for the first time, that you really have no place to go, no plan beyond running. Beyond escape. You've never had to plan beyond that because you've always been outnumbered, overpowered and dragged back.

Does he think you will return on your own? You scoff into the darkness at the thought. I'd sooner hang myself from one of these trees, you think to yourself as you look up at the branches, silver in the Autumn starlight. Still. Quiet. Unnaturally so, as if the earth itself is holding it's breath. Hiding. 

Even before you hear it, you feel it, looming large and lethal at your back. Larger than Sukuna, even. Much larger. It shifts it's enormous weight, rustling the leaf litter. As you peer over your shoulder, your eyes widen and your heart hammers against your ribs like you never stopped running. A reptilian chittering sound blooms out of the dark: a bony whisper, a rattlesnake kind of warning. The moon outlines it's dark shape in indigo, a moving mountain that tears trees right out of the earth as it moves after you. How you didn't see or hear it before is a mystery. 

Your feet slam against the shuddering ground with the slowness of nightmares as a scream claws it's way out of your throat. You don't make it very far before a root hooks your foot and sends you sprawling. A sickening snap followed by bright sparks of pain shoot up from your wrist as you catch your fall with your hand. When you look down to see splinters of bone jutting out of a ragged wound, a hysterical sob escapes your mouth. You clutch your injured limb against your chest as your heels churn at the dirt, propelling you backwards, too slow as the monster stops short in front of you. 

It is too awful to look at, a twisted amalgamation of drooling faces and colorless eyes shining with idiot hunger as it prepares to stuff you into its many jagged mouths. You dig your chin into your shoulder, squeezing your eyes shut and baring your teeth as you feel it's hot, putrid breath against your skin. Thick, black saliva drips into the dirt between your feet and burns it like acid, white tendrils of smoke rising from the bubbling pool.

The chittering sound rises again, like a demonic chorus of cicadas. Distantly, you realize the effect is created by all of those throats babbling at once. You find yourself too breathless to scream as it's clumsy teeth try to find purchase in the flesh of your calf, only succeeding in lightly scratching and slobbering all over it. Perhaps in frustration, its crying slowly rises in pitch, high and keening.

Then, there is another, quieter sound, that cuts the wailing short. It is soft like a whip cutting through the air before it cracks, like the hiss of lightning parting the sky before the thunder of it crashing back together. Crashing like the quivering weight that descends upon your lower body as the monster inexplicably falls to pieces at your feet. You blink owlishly at the dismantled pile of flesh, hardly daring to believe that it is truly dead, even as its quivering breaths grow still.

Your legs throb under the lifeless weight of it. It is impossible to drag yourself out from under it with your one good arm, so you resort to wiggling on your back in the dirt, removing yourself inch by excruciating inch. You haven't yet had the time, nor the prescence of mind to worry about what lurking horror might have so effortlessly ended the dead thing that pins you to the dirt. That mystery is soon solved for you when a familiar voice comes out of the dark behind you.

"Tch. Pathetic."

You cease your struggles and crane your neck back, pressing the back of your head into the dirt to meet Sukuna's garnet gaze. He leans against a tree, as if he can't be bothered to hold himself up, looking only vaguely interested in the scene before him. 

"Me, pathetic?" You spit, redoubling your efforts to writhe out from under the dead thing. "Was I not easy enough to kill? You had to sic your pet on me?" The thought had only now occurred to you, that Sukuna had unleashed this thing on you, but the notion already has your blood boiling with rage.

Sukuna snorts, "Not mine." His eyes leave you in favor of examining the corpse. "Hm. A grade two, this one," he mutters.

Your eyes follow his and you notice a jagged, black fang, about the length of your outstretched hand, lying in the dirt by your hip.  Glancing back to ensure his eyes are still focused on the monster, you stretch out your good arm and wrap your fingers around it. The edges bite into your fingers, but you clutch it like a lifeline, headless of the pain. 

"Well, do you intend to finish the job, or are you just going to stand there, blabbering nonsense?" You sneer, craning your neck to look up at him. 

His eyes snap back to yours and he smirks, lazily peeling himself away from the tree and stepping towards you. "So eager to die, arent you?"

He lifts the bulk of dead flesh away from you with one hand as he hooks another into the pit of your injured arm and drags you to your feet.

Gritting your teeth, you swing your good arm, arcing your makeshift weapon to catch him in the back, but he snatches your wrist away with yet another arm. Now, you are leaning awkwardly against his chest as he supports most of your weight. You legs are not as useful as you might have hoped. They burn painfully and buckle at the knees as the blood rushes back to your cramping muscles. 

He eyes the monster's tooth in your hand with mild interest. "You want to hurt me with that?" He asks with a mean grin. "Go ahead."

With that he lets go of you and takes a step back.  You cry out in frustration as your traitorous legs buckle underneath you and you land on your knees at his feet. He throws his head back and laughs as you snarl up at him and swing your makeshift weapon at his legs, which dodge your clumsy blows effortlessly. 

"For weeks you lived in peace with me and now all these theatrics, for what reason?" He muses as he steps this way and that to avoid your rageful attacks. It doesn't take long for him to grow bored of this game, and you are taken aback when he sinks to his knees in front of you. Even so, he towers over you so that you have to hyperextend your neck to see his face. His lower set of hands snatch you up around the waist while the upper pain pin your arms to your sides. You grunt at the pain in your broken wrist, but he takes no notice.

"I asked you a question," he snarls, holding you at eye level. 

He huffs when you only writhe in his grip and scream in his face until your throat is raw and you are too breathless to continue.

"Fucking feral little rat," he mutters. "Is it because I touched your leg?" He asks, eyes dragging the length of your body. 

You scoff. Of course it wasn't just that it's...

"Are you throwing a tantrum because I didn't ask permission? Hm? And what was the plan? Where will you go?" He cuts off your thoughts by echoing your own thinking from earlier. It has you subconsciously biting into your cheek hard enough to draw blood. Infuriating.

He smirks. "Just a spoiled little princess playing at running away. Well. Time to grow up, little girl, and realize that you will always belong to a man. Before, you belonged to your bitch of a father, and now, you belong to me."

No longer able to hold in your rage you shreik and slam your head forward in an attempt to split his smirking lips. Of course, he leans away and you only succeed in tossing your hair, drawing another cackle from his mouth. 

"You want to hurt me? Try, brat," he bellows to be heard over your shreiking as he presses his forehead against yours hard enough to bruise. The moment he releases your good arm you sink the oversized canine into his temple and drag it down, flaying his cheek. A second swing and his larger, upper eye is reduced to a wobbling jelly running into the bleeding wound. Slick with gore, the tooth drops from your hand and Sukuna slams you down on your back with enough force to steal the air out of your lungs. 

Then he is folded over you, hand on your jaw tilting your gaze to his wounded face. "Look at me," he instructs and your stomach lurches as the flesh bubbles and warps. Then it is takes its old, unmarred shape, as new and smooth as ever. You stare at it, blinking as if that brief interruption of sight might return it to ruin, as it was seconds ago. As if to dispel your disbelief another of his hands grasp your broken wrist, lifting your hand so that your fingertips brush his new skin. At the same instant, your injured joint transforms the same way his wounds had until it is new and free of pain.

Speechless you stare at your hand on his cheek until you realize that he is no longer holding it there. He leans in until his lips are nearly brushing your ear. "I can touch you however I like, whenever I like," he says, slipping a hand from your waist to trace the angle of your hip bone and the curve of your outer thigh through your ruined kimono. "I can break you and mend you, break you and mend you and never, ever let you die." His hand slips from your jaw to your throat where he squeezes briefly before, suddenly, he hauls himself off of you.

"So, brat," he says, standing over you haloed in the pink light of dawn, "if you are ever so lucky as to have me touch you again, try not to overreact."

All you seem to be able to do is slide your eyes stupidly from your healed wrist to his unblemished face until all the breath decides to leave your lungs at once. The sky, blushing with dawn and tattooed with skeletal branches, fades to black.

...

Emika, grinning, face tilted toward the dappled sunlight, laughter bubbling out of her throat. It is a musical sound until it changes, distorts into a horrible chittering, vacous and reptilian. Her mouth opens, impossibly wide, a poisonous womb that delivers a wailing many-faced blackness that swallows the world. Closer, the newborn horror leans in until all you can see is a single wet, red maw screaming its hunger and eager to feed on you. It is made of hunger and fear. Its tongue lolls out and begins to twist and warp. It pales and changes shape, grows four garnet eyes, a tattooed jaw, a laughing mouth. Sukuna's face leaning close to yours. "Look at me," he says, surrounding you, a universe that leaves you no choice. He is still laughing when he tilts away, falling out of orbit as gravity pulls your back into the dirt. He is replaced by a robin's egg sky seen in patches through the green leaves of spring.

Emika's face glides into view, a smiling autumn moon in the Spring sky.

Her bamboo sword taps your neck.

"Dead," she says.

Dead like the warrior she once daydreamed of being, with a katana on her back and a pretty servant girl at her side.

"Dead." She smiles, haloed in sunlight.

Your eyes blink open. Even as the nightmare fades you realize it holds too many parallels to waking life for comfort. Finding yourself suspended above the ground in an unfamiliar position, your body jerks, your legs inadvertently tightening around Sukuna's waist. He is carrying you like a child on his hip, his lower arm hooked under your backside while his upper one supports your back. Your chin rests over his shoulder, your cheek pressed into his neck. Finding this abhorrent, you squirm weakly.

"I can walk now," you mutter, but you are so tired. Your eyelids, leaden. 

"Walking has caused you enough trouble, wouldn't you say?" He chuckles, a sound that is becoming increasingly annoying. 

In any case, the dead weight of your body against his is enough to refute your claim. 

Your eyes flutter closed, head lolling against his neck. He smells of smoke, blood and earth and he is warm against you. The effect is like a sleeping tincture.

"I want to know," you mutter against his skin as you struggle against your rapidly retreating consciousness. "I want to know what is expected of me."

You are too exhausted to think of your statement as an acquiesence, but that is what it is. Sukuna is taking you back to the shrine and you are accepting it. Perhaps that is why he laughs. Your eyes pop open at the hateful sound and you hope that he does not discern the increasing tempo of your heart with the way that your chest is pressed into him. Wouldn't want to give him the satisfaction.

"Expectations," he says. "You can't live without them, hm? How, then, would you rebel?"

You clench your teeth. He is unbearable. You hate him. God, you hate him. But you are just so tired right now.

"I have no expectations of you, rat." He continues after a pause, although he thinks to himself that you are really more of a mouse, at the moment, as you go limp again with sleep.

...

When you wake again, from a long sleep that is blessedly dreamless, there is nothing to greet you but silence and the shrinking light of early evening. You lie for a moment on the futon, staring at the dark grid of ceiling in your chambers.

Under the thinning haze of sleep that still clouds your mind, a flickering flame of rage persists. When you look down at yourself, filthy with mud, blood, and mystery secretions from whatever that thing in the forest was, it grows brighter. Cast off and forgotten like a broken doll. You flex your healed wrist. Why does it make you even angrier?

I have no expectations 

You tear off your kimono and toss it aside, fuming.

Rat.

You tear the linens, ruined by your dirtiness, off of your futon and thrust them away to join your clothing on the floor.

"Maybe I will go around naked, then," you fume, stomping towards the door, but you stop there, losing your nerve. "Bet you wouldn't expect that. Bet you would find that you have some expectations after all."

spoiled little princess

"Maybe I will go around like this is my home and you are an unwanted guest," you hiss into the silence.

time to grow up and realize you will always belong to a man

You retrieve your dirty kimono and shrug into it, gathering the fabric loosely around your chest with one hand while you rip something clean out of the wardrobe with the other. The shoji door slams against the doorframe as you storm out of the room not bothering to close it. 

now you belong to me

Uraume and Baba look up from their work, picking vegetables for dinner in the courtyard as you tear across it without sparing them a glance. You make quite a sight, blood-streaked and furious. 

"He'll be getting his kicks with that one for quite some time, I'll say... yes," Baba croaks as her milky eyes track your movements.

"Baba!" Uraume scolds.

"It's the truth," Baba crows. "It is!"

...

The steaming water of the hot spring soothes the aching muscles of your legs. This makes encroaching on his territory doubly satisfying, even if he, being a morning bather, in your limited experience - doesn't find out. You close your eyes and hold your breath, sinking to the bottom on your knees. Your fingers rake through the matted mess of your hair, breaking loose the dirt and dried blood. You stay under until your lungs burn and then burst to the surface with a sharp inhalation. 

"What the fuck do you think you are doing?"

You startle at the sound of Sukuna's voice booming over the soft gurgling of the water. He is standing at the opposite end of the spring, kimono pooled around his feet, hands frozen at his waist in the middle of loosening his hakama. 

"Whatever I want, since you have no expectations," you retort, having recovered quickly from your surprise.

He snorts. "Alright."

You glare at each other through the rising steam.

You are the first to avert your eyes when Sukuna resumes undressing, unceremoniously dropping his hakama. 

Your back is turned and you make a point of staying submerged to the shoulders as you make your way to the edge of the pool. You movements increase in urgency, heart thumping faster as you hear him splash into the water behind you. Unwilling to let him see your bare skin, you pull your clean kimono into the water and put it on while still submerged. 

When you drag yourself over the lip of the pool in your dripping robes, he is laughing. Your skin erupts in goose flesh that cannot be entirely attributed to your soaked clothes and the chill in the air. Although it pisses you off to no end, you try to at least appear unperturbed. Chin held high, you make it a point not to look at him as you march back toward the shrine, as if he is beneath your notice. You hope he feels it.

"Come here, rat." 

You pause, your back still turned to him.

"I said, come here." He repeats.

Vacillating between the desire to defy him and the desire to seem unafraid, you settle on the latter and make your way back to the water's edge. There is a deliberate slowness in your movements, to show that you are in no hurry to obey him.

Sitting on the lip of the pool, you let your calves dangle over the edge, lazily treading water. 

"What do you want?" you hiss, meeting his crimson gaze.

[sunnylucy31]

Some asks I got for these in discord, reposting my answers here:

Pierce is on the spectrum, though she does a good job of masking most of the time (until you get her talking about her special interest which is stars and astrology (fun fact she can tell your star sign just by looking at you, very useful power)).

Frieda has BPD, and she handles it by not handling it (that is, she bottles up everything related to it, The Queen must not show weakness to subordinates). Her people don’t say her name and only refer to her as “the queen” out of respect, but a large part of her believes it’s because they disapprove of her (RSD will have you making logical leaps like that, it’s a bitch).

20. Frieda is often jealous of how tight knit her peoples’ bonds with each other are; as the queen she’s often excluded from that since everyone else puts her on a pedestal (as noted previously, they refer to her by title rather than name). More specifically she’s jealous of Hunter’s ongoing thing with Siren, as she’s been yearning for his attention for years and never received it (not in the way she wants, anyway). Again, she handles this by bottling it up, as the queen cannot be distracted by such trivial emotions. Good thing glass bottles are famously sturdy, this practice will surely continue to be a sound one.

If Maya is jealous of anything, it’s her peers’ ability to be content with tedium. With a perfect memory, she’s painfully aware of how much repetition the average day has, but her fellows don’t seem to notice, or if they do, don’t seem to care. Hell, some of them appear to find comfort in the routine, the normalcy. She attempts to shake this feeling off, but like everything else in her flawless recall, she can never entirely put it away.

25. My favorite aspects of both are going to be the angsty parts because apparently I’m a sadist.

For Frieda it’s the dehumanization. The Titans made her to be a living weapon. The gods branded her as an abomination for existing. And her own people turned her into a martyr, a Messiah figure that could prop up their fragile hopes. At no point does Frieda get to be Frieda; She’s Zero, or Priority Target One, or The Queen. Max will be the first person to treat her as human in a long time, and that’s going to be a profound moment for her that I really look forward to.

For Maya it’s going to be exploring all the detriments to a flawless memory and how the human psyche wasn’t meant to handle having that sort of ability. Imagine every mistake you’ve ever made, every abuse you’ve suffered, every pain you’ve felt, as crystal clear in your mind as the moment it happened. How do you heal? How do you move on? I do so love a good “your great power is really a curse” trope.

Frieda certainly wouldn’t think she could get away with it. Tenet Two of the demititans’ code is to do no willful harm against a fellow demititan, and to her mind she isn’t above the code. Her people on the other hand would feel differently. As I said above, they’ve turned her into their Messiah; all their hopes for survival rest in her. While it would be a deeply unsettling event for many, they’d find some way to justify it if only to keep her at the forefront, to keep her trying to save them.

4. Frieda’s innate instinct when scared is to freeze, followed by flee. Years of training have embedded a fight response in her, but part of her still feels the urge to run and hide when shit gets scary.

9. “Most gods throw dice, but Fate plays chess, and you don't find out til too late that he's been playing with two queens all along.” -Terry Pratchett

19. Rage makes Frieda’s calm and collected queenly mask fall away entirely. It’s the one emotion she’s never had much practice at containing, so when it comes out, it really comes out. Violence is basically a guarantee at that point.

Edgy/misc OC ask meme ᕕ( ᐛ )ᕗ

Send me a number and an OC, and I'll answer.

What memory would your OC rather just forget?

What's something about your OC that people wouldn't expect just from looking at them?

What is your OC's fatal flaw? Are they aware of this flaw?

When scared, does your OC fight, flee, freeze or fawn?

How far is your OC willing to go to get what they want?

How easily could your OC be convinced to do something that goes against their moral compass?

What's one way your OC has changed since you first came up with them?

Would your OC ostensibly be able to get away with murder?

Do you have a specific lyric or quote which you associate with your OC?

What's an AU that would be interesting to explore with your OC?

What is your OC's weapon of choice? Have they ever actually used it?

Is your OC self-destructive? In what ways?

If you met your OC, would the two of you get along?

How does your OC want to be seen by other characters?

Does your OC have a faceclaim? If so, who?

What is your OC's pain tolerance like?

What is the worst thing you have put your OC through story-wise?

Is your OC more cold and detached or up close and personal?

How does your OC behave when enraged?

Does your OC have a tendency to get jealous? If so, how does this manifest?

Does your OC have any illnesses or disorders? How do they handle it?

What character alignment would you consider your OC to be?

What emotion is the hardest for your OC to process? How about express?

What is an alternative life path your OC might have gone down? How different would their life be if they'd made those decisions?

What is your favorite thing about your OC?

[nylloth]

My opinion about Arcane s2 (mostly Viktor)

I'm trying to be neutral on this, but I'm upset with what they did to Viktor.

I was wrong about their relationship with Sky (but I had hope), you can see he never really cared for her and the animators put their all into conveying that. Plus, let's say Sky represents Viktor's humanity and Viktor himself gives up on her. And it's a lot easier for him to give her up than it is for Jayce, who he's trying to show this new “world” to.

They have a lot of gay moments with Jayce, I don't know why the writers call it “family”. It's really hard to see family in that. It seems like at some point they decided to change the plot, because at the end Jayce and Viktor just disappear and no one just doesn't care what Jayce has with Mel.

The thing I didn't like the most was how they changed Ryze, that now Ryze is Viktor, the all-powerful mage. We know from the documentary that it was Ryze at one point. That would make more sense than Viktor traveling through time and constantly dooming himself to a series of miseries. But then again, they added the “all for Jayce” aspect to it.

You can see it's supposed to be a different character, right?

I really didn't like how they treated Sky because obviously she wasn't an evil manipulative core. Viktor killed her twice for his own purposes. Once by accident, the second time on purpose. Look, you add a girl who is IN LOVE with a man, make her die twice for him, and show WHY he doesn't care. It's a dirty act. Amanda said she was “proud to write Sky”, I don't know what there is to be proud of. As a woman, it was painful for me to watch. You didn't have to do that. Did you mean to say the character is gay? You don't have to humiliate women to do that.

I always hoped Viktor wouldn't have any romantic innuendos because feelings, for Herald, are a weakness. But the fact that they're indulging JayVik fans makes it look NOTHING like that. Like, I'm not a fan of this ship, but even I don't consider what they showed as brotherly feelings. Especially from Viktor's side. He is literally too concerned with Jayce's opinion.

I also think that the writers largely emphasized the clips and fights, but didn't add to the story itself. I mean Silco's deep thoughts in the first season on political topics and the theme of family in general was shown much better.

Herald is essentially non-existent. It's a character for the last two episodes who is immediately killed off because of a few words from Jayce. Viktor returns and they vaporize somewhere. I take it this is starting a recurring time loop.

They kind of tried to put in Viktor's “here he's come to the realization on his own that humanity is bad”, but they did it SO FAST and literally because of one event that it looked bad. Yeah, it's not about hexcore. VIKTOR SUPPOSEDLY CAME TO THIS ON HIS OWN. Why? Because Jayce shot him, and then Jayce helped him realize otherwise. No, really, what was that?

I also didn't like the redesign. I was hoping the mask would look different, but it looks HORRIBLE.

It's supposed to give the impression that Viktor “shut down and withdrew into himself”, they also tried to make him a “deity”, but since it only lasted 20 minutes before he went back to his normal state, it didn't make any sense… Anyway… I sympathize with everyone who loved Viktor specifically, outside jayvik ship (happy for you guys). I know they are excited, but this is not Viktor's story. You see, Viktor doesn't have his own personal story now, he's too connected to Jayce. You could say he did everything and nothing at the same time. Because he keeps running this time loop, but he's running it because of Jayce's influence.

Waiting for his updated lore to read….. idk I'll read it and forget it like a bad dream.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[deiastormborn]

Arcane Season 2 Finale theory. (Jinx, Cait and Vi)

Heya. Since I was somehow on a roll with my theories about the show previously, and I somehow hit the nail on 90% of the things I predicted, here is a new theory of mine.

Jinx is not dead. Yes, of course, that makes sense considering League of Legends exists, and everything that happened in Arcane happened before the game. Arcane was made canon, and a lot of current lore is being rewritten to match the show, so to people that play the game it's no surprise that Jinx is most likely alive. But how?

Here is what I think:

After Jinx said 'I didn't know your mom was in there', Cait realized that Jinx did in fact change. Or, at the very least, could relate to her pain and mistakes. If you think about it, Jinx's actions were mostly fueled with grief, and the rocket that was shot at the council building happened right after Silco died, who was like a father to Jinx. Caitlyn lost her mother, and became angrier, irrational, fueled with revenge. I think Jinx saying that to Caitlyn made her relate, and maybe understand what is hidden below all the madness that Jinx has in her.

I think Caitlyn and Jinx had a dialogue behind the scenes, that was not shown to us. Knowing Caitlyn's character and somewhat a soft heart, I think Caitlyn sat down and told Jinx that she can't be truely free due to the volume of the crimes that she has done. My idea is that Caitlyn tossed the idea to Jinx about escaping, fleeing, and faking her death. Didn't Caitlyn tell Vi that she became too predictable? Doesn't it mean that Caitlyn knew that Vi will try to free Jinx? Didn't Caitlyn say something about this place being thoroughly guarded too? Yet Jinx managed to escape anyhow?

I genuinely don't think it was done without Caitlyn's interference.

Maybe, after the talk that Caitlyn had with Jinx behind the scenes, Jinx asked Caitlyn to keep Vi oblivious to everything that is happening. Hence why Jinx said that Vi deserves to be with Caitlyn - that could not have gone out of nowhere. Caitlyn and Jinx didn't interact enough in the show for Jinx to say that. And Vi never really spoke to Jinx about Caitlyn for her to make this conclusion.

Now, possibly, Jinx took the whole 'fake the death' quite literal, since we see her go quite suicidal after that. It is possible that she thought that it is pointless, and genuinely didn't want to try and run anymore, hence why she attempted to blow herself up. Luckily, Ekko came in, and the rest we know.

However, it doesn't sit right with me. Not just because Jinx is very much alive in game, but also the fact that we were shown Caitlyn looking at the tower where Jinx fell, while holding the Jinx's monkey bomb in her hand. She also let go of a slight smile when she zoomed in on all the exits and rooms in the tower. Something tells me Jinx knew how to escape, and something tells me Caitlyn was the one who told her. Something also tells me that the balloon we saw at the very last scene of the whole show might have had Jinx in it.

The show is notorious for showing scenes that always mean and imply something. I previously had a theory where I drew a parallel between Vander, Silco and Felicia, with Caitlyn, Vi and Jinx, where Felicia was bringing Vander and Silco closer to each other, and her death ended up splitting them both. I truly think Caitlyn was meant to be the same mediator for Jinx and Vi as Felicia was for Vander and Silco. And maybe that was it. Maybe that's what happened.

Knowing Caitlyn, she is more than capable of forgiveness, and seeing good in people. I think it would be in her character to help Jinx escape, even if it is at a cost of lying to someone she loves.

And, since we see Jinx tell Vi to let go, I think it would be in her character to ask Caitlyn to keep Vi in the shadows.

[cool-cube]

Finally continuing the "artificial aliens" group after not having any ideas with them for a bit. I don't care if it's November, I wanna do a scary dude. This one here's called Catacomb.

Catacomb is the Omnitrix's DNA sample of a Grimmanuran from an unknown planet. Grimmanurans are arguably the most secretive & reclusive of the artifical species, mainly due to causing the extinction of their creators. Grimmanurans were made by the same species that made the Cygnians and Accymentrians. While Accymentrians were meant for defense & Cygnians for emotional support during war times, the Grimmanurans were healers, but also fearmongers. Their horrifying appearance inspired by the creatures of Anur frightened enemies & their death-seering capabilities caused them to fear their final days, but it also drove the species mad. Their powers were more of a curse than anything. They looked up to their creators, so why were they cursed with such a massive burden. This thought process caused the Grimmanurans to start an uprising. They ruthlessly slaughtered their former idols & kept their corpses half-alive. They were still conscious but felt every bit of pain that would've normally killed them; a sick reminder of what they did to them. After this mass extinction event, the Grimmanurans seemingly vanished. Few traces of their existence even existed & it was presumed they had all offed themselves after offing their creators. It was only when Ben transformed into Catacomb for the first time, that the Grimmanurans began to show their faces again. Not wanting Ben to ever go through what they did, groups of them wanted to destroy the watch & Ben, as that would apparently be the only cure for the burden they bear.

Catacomb is one of Ben's most powerful & risky aliens to use. Not nessecarily because of physical strength, though. Catacomb can release little green zaps from his fingertips to attack others. On a living person, these do minimal amounts of damage. However, zapping dead people will reanimate them to their former self. If they died fairly recently (within the last month), their body will regenerate to how it was before it died. After this time period, the reanimate doesn't heal & becomes a walking corpse for Catacomb to puppeteer. Catacomb's swollen eye can see the death of whoever he's looking at with his other eye. Only he can see it & he can't project it to others. This was given to the Grimmanurans so that they'd always know the perfect time to heal someone, but as mentioned before, drove them insane. Catacomb also possesses enhanced agility & durability.

As stated earlier, Catacomb is a risky alien to use. Not only are his powers very morally dubious, but Ben can't turn off his death-seering, shut his eye or simply ignore it. Same goes for all Grimmanurans. Ben will be forced to live with knowing when his loved ones died. Catacomb has only been used two times because of this. Once when he was first unlocked at 19, once by Ben at 24 to bring Kevin back to life after suffering fatal injuries. Ben 10K will try to use him in fusions in attempt to avoid the death-seering, but he has no idea if he'll keep his other power or even get rid of it. Aside from that, Catacomb is not a physical fighter, and has to rely on reanimated bodies to fight for him. His insides are also partially exposed due to the bandages visible from underneath ripped skin.

[notachair]

I think... this puts to word some of what I felt was kinda of with how handled things. Some anyway. I've been trying to articulate what feels... off. It's rough so bear with me trying to untangle more of it... and I'm so sorry but this is a wall... on your post... tell me if you want me to make my own and just link to this instead.

When it comes to Jayce's little speech there's this line, as an example...

And what got me immediately here is... when have we really been shown that to be true, to "always" be true? I felt like this was an assumption put onto Viktor by the writers. Internalized ableism is a bitch, but I think they're doing a lot here with the implication of "always". Disabled folks all have our own journeys with it, but I don't think moments of falling prey to it- is something that should define his whole historic relationship to his disability. (Also one's allowed to vent about one's experiences with one's disability and the realities of how one's met with in the world, without it being taken as a diminishing of one's own worth.) And as you say, none of that really address the whys of the structural aspects affecting him both physically and mentally. Like (in regards to the internalized ableism) what is it that is constantly trying to make those shards of pain and inadequacy they'd put in him- to expand and consume, despite whatever fight he'd put up against it on either the internal of external front? And then there's also the difference between wanting to manage one's disability and... you know, hoping to cure one's *terminal* illness in fear of death's face.

I won't deny other disabled people feeling any comfort in those words. I do think there's something delicate and meaningful in having someone care for you and remind you of your worth when those shards, unwittingly or not, have spread and festered a wound in your self perception, because people keep saying it should be there and trying to create it if it's not. It's not that it can't be or isn't impactful, but... was that it? The big message? In combination with everything else, it felt more... preachy? And to a certain degree patronizing? The issue is that I felt *talked at* from someone's able-bodied* perspective. *Yes, even if Jayce no longer is able-bodied, that current commonality isn't emphasized, and even so- disabilities and disabled experiences aren't 1 = 1 (this applies to me too), never mind the *terminal* aspect, his leg's also an acquired disability.

Okay so what only ever Jayce apparently managed to have Viktor see was essentially: "only you can show me that perfection perceived is not something worth seeking- an empty reward. There's beauty in imperfections", or something right? And his mode of attack was... that. Idk I am left unimpressed. I understand the point of putting value on perceived "imperfections", and that Viktor (could... actually... I had a whole section and internalized ableism I removed lol. But.)... that his disabilities could be and was perceived as "imperfections" within his new framework (btw, I saw him using the hexcore on his bad leg as a means to test out his chances for curing his terminal illness- 🤔 not really as a "I kinda just really wanted to cure my leg idk", and it would make for the most obvious results if it worked without messing with his torso, though he was only allowed to keep it for so long by that hexcore). But also, the philosophy he presents was more about than just his own disability or actual terminal illness (!!), it's about a flawed perspective on the general human condition, put to the extreme after Viktor became increasingly isolated (despite being surrounded by people mind and body, "we are one") and grew further detached, partly to the nature of his new existence* (*thoughts to be had here though, and also, whatever happened to the build up and clarification of to whatever degree the hexcore itself influenced him?).

Motive: on his desire to help others, emotionality.

A core part of Viktor's character is his desire to help and aid people, particularly those of the Undercity, and with Jayce it becomes about helping people through the science of hextech (a renewable and non-exhaustive energy source, I think there's a Point there) (tho I've gotta say... their presented products in S1Act2... can't say it's impossible for geniuses to be kinda dumb, it wasn't what I expected anyhow lmao). Act 3 Viktor, post-"imperfections of emotions and individual agency leads to pain and strife, as the other inextricably bound side of the coin = humanity's self-corrupting contradiction" conclusion, basically ended up out there trying to calculate himself to solving human suffering on an evolutionary level (truly Singed's apprentice that way), which was just eugenics in the end.

Even if that point of validation, of acceptance, is nice, especially when previously thought something forsaken to you... and despite what some would previously read/portray him within fandom- he DOES care about the interpersonal, like there's a reason he clings onto that goddamn tattered blanket 😭 And he continues to make a point of wanting Jayce by his side again in both act 2 and 3. But I still feel like it misses the "point" when the majority of the focus ends up on "you're doing this because of internalized ableism but I'm telling you that you matter actually, to me". I feel like it simplifies a lot to draw such conclusions of the matter, and make that the most effective point of "attack". I mean- seeing himself and what he was about to make the world into- kinda did after the mask broke a bit. But- other than Viktor's lines of "why do you persist? After everything I've done?", the "you were never broken" ends up defining this important built up scene. And I dislike this focus that completely overrides the structural issues involved, and basically works as a good-feel band-aid. I dislike the way Viktor's character motivation feels reduced to that point, with that "always" in particular, as well as the "only you" when that was the conviction made. Combating ableism 101.

Like I get he's attacking the personal projections that could drive the conviction, but he sorta kinda didn't hit all the marks there. Uh- not to say that I don't know he's just being sincere here as well, in expressing his care and love for Viktor. But I feel like it works as a deflection that shouldn't have been entirely effective on its own (yes the future-vision, but it's not emphasized in a way I'd like). I thought maybe they'd emphasize more on the emotional part, of his overall self-perception and of Viktor hurting (and not just in the "internalized ableism" way) despite however unaffected he might or might not seem (def not all gone). I can see Viktor in his state of upset and alienation of his body (and mind?)... see that hurt (grown from affection) as something, on a personal level, that holds or has held him back from actually follow up on those dreams of helping people (which become *that* in result). And with the access to the power that he has... conveniently think to attempt ridding himself of it, distancing himself, rather than process it. There's a certain... distancing happening just from that nature of having access to the experiences of so many people too, through that hivemind even if it's the most intimate thing as well and would stir a lot of emotion within him. And then there's him getting offed by Jayce in act 2 where he has his whole "two sides of the same coin" moment, and in the end, seeing "the glorious revolution" as a final calculated solution to strife (and- perhaps his own internal strife). There's something too to that "the line" sequence after being rejected in episode 8. But yea, there is a point here that could have been made in terms of valuing "imperfections" of the human condition, but it's... not really being made? "They're part of everything that makes you you, and everything that I admired about you" (paraphrasing), sure, but what about some emphasis on other things idk. He's more than that and all that, but I feel like they ironically made everything about his disabilities instead, and I'm dreading the state of readings and depictions🧍

(Btw on that note of "part of what makes you you", I did like that even the herald still had his braces and ect. fused to his body, and even glowing up in the astral plane. I liked that the ones that were "cured", was not left unmarked by the change. Of note- a lot of those people seemed to have had similar conditions to Viktor, in the sense that they affected the limbs. Pretty sure that one kid who led Jayce was the kid in a wheelchair beside Ekko in ep 7 when watching Heimerdinger's performance)

Also, I would... have liked... more of him taking a side with the Undercity though... and agency, non-agency, death, transformation…go rage some my guy 🔥

Motive: on Piltover / Zaun, the structural.

So on another point... a very important aspect here for Viktor IS that initial dream of theirs WITH the sociopolitical circumstances. Before all of the cult stuff, the main tension between Jayce and Viktor is the matter of the Undercity and how they're dealing with the hextech (I've kinda wanted to make a post about it). And similarly with catvi and the story otherwise, that element does not get as acknowledged, and it suffers for it. Their dynamic and history is not removed from its sociopolitical context. And there... is something to that shard of insecurity impacting him more than he'd thought. But what it comes back to- is the structural injustices he has been faced with both as disabled and a Zaunite/someone of the Undercity. Like his terminal illness was literally fucking because of the damn injustices Piltover inflicted upon them, majorly didn't care to fix and would punish people for protesting. And as I said, their common initial dream, was essentially about helping people through the science of hextech, like- people of the Undercity. Something which they failed to follow up on, and then Viktor was dying, accidentally involved Sky in his own risky business that resulted in her death and him getting sucidal, then- died from Jinx's attack- frankensteined in violation of his agency (!!!)- and then Viktor leaves Jayce *after seeing the hextech weapons plans* (double betrayal). And there really is something to Sky's significance here... But yea, Viktor leaves with a totem to those hopeful dreams, in order to try to help or aid people of the Undercity with the new abilities he had. Like he's not wrong for wanting to do that, I get why he'd just up and leave. His philosophy about things resulting into the idea of a "glorious evolution" to solve human strife and the details of those transformation do essentially just become eugenics in the end though (btw, whatever was their choices with "all those willing" to forceful turning...?).

I think there are ways they could have explored further nuances around all of this, but like with the other things, the journey was cut short and simplified. In a sense I'm glad he had more agency than people were speculating, but at the same time... And I think there is a Choice done in making Viktor's "glorious evolution" the bigger bad (together with Ambessa and whatever she was doing all of that for), AND that it served as a way to override majorly every other conflict by presenting a bigger bad for Zaun and Piltover to "unite against a common enemy" for. If they'd emphasized more on him being a reaction to those injustices, with a hexcore boost, to Piltover's structural injustices against the Undercity (which includes that social model of disability), then maybe it could work more. AND with it having a presence in the Viktor-Jayce confrontation/resolution. But it's more "both sides"-ing the issue, with its favour in Piltover's hands despite it all. And like- "I dreamt about giving magic to the people-" yes, but what was the reason why? I'll give him points for the "now" in "now I only want my partner back" anyhow. Idk, I don't see the disregard of the implicit "wanting to help people" part as a win. Though it's presented through the emphasis of "magic" which has been demonstrated as... sinister to a degree, but also... not? Potentially. But the magic was never THE issue.

Even on just the interpersonal level between the too (which it's not restricted to at all)- I, again, dislike this focus that completely overrides the structural issues, and works as a good-feel band-aid. It needs to extend further, and sure it does in a sense on the individual basis with his choice to stay with Viktor even when he gave him an out. But as an important message moment? It doesn't demonstrate enough to extend outside of it, because we don't see it applied in different contexts, like properly addressing his whys. And with Viktor's one line of "why do you persist? after everything I've done" "because I promised you"... it's not that what Viktor did and was about to do wasn't Fucked Up (and he was having a lot of guilt about accidentally having Sky killed, I can see him getting fixated on trying to "make up for" it somewhat after being brought back to life in his alienated body, and in a sense uh... overcompensating), but idk.. I wish there was something that extended Jayce's way too? That addressed those points of tension in their history? I am not a Jayce-hater, but I don't think he's an uncritical "hero" here. Viktor ends up having little voice at this level despite his speeches (we barely hear him talk after the mask fractured some). And the matter of his forceful transformation, is not really brought up other than potentially "this chain of events, started with you" in that one council room confrontation. "I never asked for this!"- neither did he <3<3<3. Anyway.

THERE IS SO MUCH TO SAY. But I gotta round it up eventually, so I've cutting off all my other things that found its place on this reblog while I've had it in the drafts.

Agency, disability, biomechanics and transhumanism is a TOPIC though. A topic with many fine lines.

Thank you so much for incredible disability representation!! Huh? Uh, yeah, I guess it's okay that there's no acknowledgement of the social model of disability... Oh, our character's feelings about his body and the treatment he faced aren't really discussed in detail? I guess that's alright. 'You were never broken... there's beauty in imperfection... they made you who you are'? That could be appropriate given context, yeah! Oh, no? Not addressing his pain or the discrimination against him or the fact his disabling factors were preventable?

No acknowledgement of how the world should be made better and safer for people who actually have disabilities? Only a message of 'disabilities don't make you inherently broken' that feels aimed at abled folks? ...Okay.

Anyway... thank you for the incredible disability representation.

[winesvein]

Sunlight spills into the room-- everything becomes golden, illuminated raw honey. Baba says I was named with this radiance in mind, with this sweetness in thought. I do not know that I am as radiant or honeyed as my true name promises. Instead I am built strong, resilient, like the honeycomb. Instead my blood runs hot, molten, like the sun. I am not anything my forebears thought I should be and I am still fighting to simply be me.

—Kali

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[lohstandfound]

I want to write something but I can't quite decide on any good ideas for the things I want to right. So here's some things from the squip horror au

Jake Jason has been having weird dreams and memories that are surely not his own... right? Ever since meeting the blonde guy at a party...

#1

I met this guy. Briefly, might I add. He’s close with one of the cast members. Christine’s friend, I believe. Dirty blonde hair that gets in the way of his eyes. I couldn’t tell what colour his eyes were. Maybe brown? It was dark. It was a party with the cast and friends. I managed to slip away from my management team for a while and that’s when I met him. He had purple in his hair. There was just something about him. Like I’ve seen him before? I haven’t. I didn’t even catch his name. I would like to see him again.

#4

I’m having nightmares. Every night seems to be a loop or continuation. A fire. And I’m always running through the fire and it’s like I can feel the flames. And I’m always looking for a blonde boy with red in his hair. He’s holding the matches. Sometimes I reach him, sometimes I don’t. It feels all too real.

#9

I don’t know why I keep track of these. These dreams just seem too real. And Rich is in all of them.

#10

Since when did I know his name is Rich?

#19

Who the fuck are you? What the fuck is this?

#20

I don’t remember that last note. I don’t think I remember anything from last night.

[starpros-sunshine]

Sometimes I wonder why cold symptoms always get worse in the evenings there has to be a logical explanation for that

[skrunksthatwunk]

"i'm not disabled" followed immediately by "i've got bad knees and a bad back" is certainly something to read 🤨 you know it doesn't have to be cripling for it to count, right...? it's not normal to be in pain after 15 minutes of standing. ableds can stand for, like, an hour at a time before they need to sit.

i know! i appreciate the concern, but i uh. dunno lol. genuinely i don't know. but i included the afaik ("i'm not disabled afaik" was the original phrase, though i'm not like mad at you for excluding it or anything) because i'm well aware that it's a possibility. it's hard to explain but there's a lot of little things that don't add up to much but are like. noticeable. like i would prefer to do most things sitting, if i could, as a matter of comfort. it would be easier for me. and walking isn't as bad as just standing. i've never been great at taking care of my body, and this has only gotten worse with time. it's hard for me to know what i should read as necessity and what i should read as preference, and how much weight to put on said preferences. like you said, i know it doesn't need to be "if i don't sit down i'm going to collapse" or anything, but where to draw that line between Definitely A Medical Thing That Affects Me More Than Other People and.. not that, i'm not sure. i kinda just thought i was a persistently slightly tired and low energy person, but it doesn't seem bad enough to be chronic fatigue, so...? is it related to the half-diagnosed. idk it's complicated depression (and yes in hindsight i probably should've counted that as disabling but whatever)? idk it's not a rabbit hole i've explored much at all is my point. but i know it's there and uh i guess this was sort of validating in a way anon so.. yeah? yeah👍

[anarcho-masochist]

Okay, I thought this was universal but maybe my last three therapists were right that it is not:

Is it normal for boredom to be truly unbearable?

As in, worse than anything else, would rather get eviscerated while fully conscious, will do anything to escape it which might actually include suicide if no satisfactory options are available?